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AESOP
Ict Support Analyst
正社員 · 東京
ADIDAS
Senior Manager, Membership, Digital Activation
正社員 · 東京
MARC JACOBS
Digital Marketing &Online Acquisition Specialist , Marc Jacobs / Tokyo
正社員 · 東京
GUERLAIN
Marketing & Communication Director
正社員 · 東京都
CHRISTIAN DIOR
Merchandising Manager, Women's Ready to Wear, Christian Dior / Tokyo
正社員 · 東京
L'OREAL GROUP
Japan Product Manager (Shu Uemura International)
正社員 · Tokyo
LULULEMON
Educator | Tokyo Roppongi Hills
正社員 · Tokyo
POMELLATO
Pomellato Store Manager (銀座路面店)
正社員 · 東京
BOUCHERON
Boucheron Sales Associate
正社員 · 大阪市
BOUCHERON
Boucheron シニアセールスアソシエイト
正社員 · 東京
GUCCI
Gucci Store Manager 関西エリアストアマネジャー
正社員 · 大阪市
GUCCI
Gucci Client Adviser 関西エリア クライアントアドバイザー
正社員 · 大阪市
BAYCREW'S GROUP
md(レディース/u by Spick&Span)
正社員 · 東京
ADIDAS
Manager, Digital Communications
正社員 · 東京
BALENCIAGA
Balenciaga Assistant Store Manager (Aoyama)
正社員 · 東京
SHIPS
Ships(アパレル)の商品管理・物流倉庫スタッフ
アルバイト · 東京
TAG HEUER
名古屋地区・セールススタッフ Sales Staff / Nagoya Area
正社員 · 名古屋市
SACAI
縫製アルバイト
アルバイト · 東京
SACAI
レディース パタンナー
正社員 · 東京
SHIPS
銀座 本社スタッフ募集! コールセンタ-業務スタッフ
正社員 · 東京
L'OREAL GROUP
Japan Sap sd(Sales & Distribution) Expert
正社員 · Tokyo
L'OREAL GROUP
Japan Field Trainer (Ppd)
正社員 · Tokyo
ホーム > ビデオ > Lanvin - Women's Spring/Summer 2020 collection in Paris (with interviews)

Lanvin - Women's Spring/Summer 2020 collection in Paris (with interviews)

access_time 00:02:22

Artistic director: bruno salielliinspiration: the designer was inspired by illustrator winsor mccay’s “little nemo in slumberland”, stories of a little boy who lived through fantastic adventures in his dreams, told in 1905 every week in the new york herald. a mixed collection, males and females parade together.collection: a very structured start with trouser suits, dresses with pleats and pockets, unlined coats with balloon sleeves and kimono jackets. even lanvin denim is seen through baggy jeans and long skirts.the “little nemo” prints are found all over the outfits, shirts and pleated jersey.powdery tones, moving to more vivid colours with checks. draped and iridescent dresses at the end make use of an ancient embroidery technique called “mukesh”, coming from egypt and made by embroiderers in india.to note: the staging immersed in the gardens of the quai branly museum in paris, with headsets for each guest, playing the show’s music.interviews with:bruno sialelli:the show was called slumberland with reference to the comic books of the 10’s called “little nemo in slumberland”, which were created by the illustrator winsor mccay for the new york herald. it’s a story of a little boy who falls asleep and has surreal dreams which i found interesting. it imposes something gentle, something that immerses us in fifteen minutes of a narrative evolution in fact. nicolas maury:i think that bruno’s designs could be subtitled “supreme softness” and that is what i like, the softness, but at the same time the architecture, the blurriness and the looseness with big builder axis. i love it. zahia:i loved it. i was completely carried into his universe and i loved the end. there was a very dreamlike, magical side and above all i loved all the pieces. i want to wear everything, i cannot wait. bruno sialelli:we reworked a lanvin print of the 70’s. this print was used for all the draped dresses at the end, which are in “mukesh”, a technique called “mukesh”. however, this technique, this skill, has in fact been lost, there are only a few women who know how to do embroidery like it. music from the show (for use only in context of the show, under cover of the right to information).